In 2020 It Will Be 20 Years

Weirdos Freaks Wackos and Creeps Anti-Social Club!

You heard it here first, folks!

In the year 2020, it will be 20 years of your FreakShow Deluxe!!

From the 2001 premiere (inauspicious in every way) with two guys and a handful of stunts entertaining crowds waiting to get into the PsychoPath Haunted Trail at the Caesar’s Ford Amphitheater Park just outside Xenia, Ohio – we did not even have a name for it, then – to now. 20 years. A Platinum Anniversary!

Obviously – there are gifts to get, plans to make, speeches being worked on right now…

So much to do and it seems like so little time – though there is time, and we are allowing ourselves to take it.

The current plan (such as it is), is to spend the year celebrating. Technically, though, we do not turn 20 until October of 2020 – however, we do not see ANY reason not to celebrate the whole year celebrating. We are working on booking extensive tour dates now, talking about relaunching our musical, Flawedville, a FreakShow Family Show tour, plus some other fun stuff! AND, of course, special anniversary merchandise as well!!!

Get ready for the 20th Anniversary of the Gathering of the Juggalos!

While all that is going on, we have what we are already scheduled to do. Your FreakShow Deluxe is gathering a special group to head to the 20th Anniversary of the Gathering of the Juggalos!!! At a new place, with some new performers, AND we are actually going to be opening for Insane Clown Posse‘s special event on Saturday, before the concert!!

Add that to our scheduled return to the Delta Fair & Music Festival in Memphis, TN this summer, several amusement parks scheduled for Halloween, a few other shows cocked locked & ready to rock, AND continued performances at Beetle House LA with an amazing array of characters and performers – AND the upcoming Hollywood Burlesque Festival!!! OH MY!!!

Do not miss a moment of what is coming in 2019 & 2020!

Come to Beetle House LA!

 

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Invention of a New Show

Check out the poster for the upcoming FreakShow Family Show! at Therapy Cafe in Dayton, OH. Poster design by Scott Gardner; photos by Dark Mannequin Designs.

When the word got out at Grennan the Green Monster & La Pequeña Arañita were scheduled to appear on NBC’s Little Big Shots hosted by Steve Harvey (which filmed over the summer, then first aired on April 9, 2017 – you can watch in on NBC here: http://www.nbc.com/little-big-shots/video/tiny-dancer/3493075 their segment begins at about 26 minutes in), the question we keep getting is

“Where can I see the show LIVE?!”

Fair enough! We have arranged ONE (1) exclusive show in southwestern Ohio (where the kids live their civilian lives) at one place: THERAPY Cafe in Dayton, Ohio. This is the place where we hosted a viewing party, AND have experimented with a couple of shows including Ilumen-Naughty & at least one showing of Cap’n Johnny’s Whiz Bang. Tickets can & should be purchased early on either Brown Paper Tickets or Eventbrite.

Are there details? SURE there are! Check the event out here: https://www.facebook.com/events/439666113033193/

The next question is probably, “Is this a new show?”

Steve Harvey talks with Charlotte & Grennan on NBC’s LITTLE BIG SHOTS (photo courtesy NBC).

Well – mostly. As Grennan & Charlotte continue to grow as performers and forces to be reckoned with, it definitley brings some changes to what your FreakShow Deluxe is doing. The two of them are constantly adding new acts to their repertoires – Grennan even premiered a new act at this year’s Southern Sideshow Hootenanny! So it is never the same show.

Additionally, your FreakShow Deluxe has been working on this show for a time – finding the best way to present your FreakShow Family in the most entertaining way for YOU! So come on out to the show!!

$10 EARLY BIRD TICKETS are only available until April 23, 2017.

$15 GENERAL ADMISSION can only be ordered online until the May 18. These get you in the door – but do not guarantee you a seat. These tickets are $20 AT THE DOOR.

$30 VIP EXPERIENCE is also available. This gets you special reserved seats in the front row, early entry & a special pre-show show (at 7pm), a photo of you with the cast, AND some exclusive FreakShow Deluxe swag. LIMITED NUMBER – DEFINITELY THE BEST VALUE!!

The FreakShow Family (photo by Dark Mannequin Designs)

15 Years of FreakShow Deluxe

It’s been 15 years since FreakShow Deluxe really got started. What a long, strange road it has been!

Since the early days of FSD – just two guys and a handful of stunts, entertaining the queue of a haunted attraction in Ohio – to opening our own venue in Hollywood, expanding our numbers and talent of performers, getting awards & accolades, producing shows all over the country (as well as taking some of our performers worldwide), having multiple shows performing simultaneously in various cities while we are on the road…

Just so much great stuff!

Today is October 30, 2016 – and we have been getting lots of pings from our Facebook’s Timehop all day (as it has ALL month long). Some of those pings from this month include:

• FSD on the stage of the OC Marketplace’s annual Halloween event (with Reverend Tommy Gunn as the Grand Marshal of the Hearse Procession) in 2011.
• The time FSD drove INTO a hurricane to perform at an event in Florida!
• Five years of performing at Hollywood’s Magic Castle’s Halloween Week – the first show of its kind and one of the first non-member/non-magic groups ever to perform there. What an honor! PLUS we got to hang out with Marilyn Manson, Bono, Neil Patrick Harris, The Scorpions, and many more famous folks!
• Our pictures showing up in the LA Weekly and OC Weekly papers for our shows and events.
• The Black Hills Tattoo Show – in Deadwood, SD!
• We’ve been at amusement parks: Carowinds, Kings Dominion, Cedar Fair, Elitch Gardens, Frontier City, plus FSD’s Kitty Karloff was at Knott’s Scary Farm.
• Getting hired by Maroon 5 to perform two years in a row at their Halloween bash at the Hollywood Forever cemetery!
• That time we were at the Virginia State Fair

There has just been SO much we have done in the past 15 years! The list above is just a tiny segment of things from this month — it does not include everything…

We have introduced the LA Skeleton Crew, the Voodoo Krewe, and the Coffin Crew. We are co-executive producers of The Southern Sideshow Hootenanny. Our own line of coffee, cigars and, soon, hot sauce (from Hella Hot Hot Sauce). Whew!

All this year, your FSD is going to be doing a LOT of celebrating. Honestly, we have just been SO busy, it’s been hard to add more things. Hope you will come along for the ride!

See, it’s true. Reverend Tommy Gunn was Grand Marshal of the Hearse Procession. There’s just no living with him now – he’s NEVER come down from this high.

Advice to Young Performers

Merchandise for sale after the show! Check out the new Glow-In-the-Dark shirts!!! This is a photo from FrightFest 2016 at Frontier City Amusement Park in Oklahoma City, OK.

FIRST: FreakShow Deluxe has finally opened an online store! Yay!You can purchase FSD-branded merchandise online and get it delivered wherever you want. Send it as a gift, or get a little something for yourself.

Get several somethings… they’re small.

We are offering over 20 items, including: our exclusive line of coffee (it is so good!), shirts, hats, buttons, stickers, shrunken heads, cigars, and so much more!

Go visit our store right now here: https://freakshowdeluxe.bigcartel.com

SECOND: There is a horrible public group on Facebook called the Sideshow Spectrum. It was put together by the amazing Todd Robbins, who is a great guy – but the group is a heckuva time waster when Reverend Tommy Gunn should be doing other things.

So it is a public group. You can go check it out yourself. Recently, a young performer posted, asking:

I am a very new performer (less than a year), but I feel I have a good act that I am still polishing. The trouble I am having is that it is only ~20 minutes and that feels short.
So far I have only been able to perform open mics, a local performing arts festival and as entertainment at a local outdoor event.

There was more – you can read the whole thing here.

FIRST: Get a nifty banner and some cool costumes! (photo of Grennan the Green Monster and La Pequeña Arañita at George Washington’s Mount Vernon for the 2016 Colonial Marketplace)

After thinking about it, your Reverend decided to give his advice – in kind of a way like this:

You didn’t mention any of your other background, so you may not need this, but let me offer you the following advice that I have given to young actors — So you’re feeling pretty good about your sideshow show?

Good!

NOW: STOP DOING SIDESHOW. Walk away. Go take some acting classes, elocution lessons, speech classes, dance class, singing lessons, and movement work (maybe some martial arts training, too). Learn how to read music and maybe play an instrument. At the same time, study stage lighting, sound design, set design, and properties. In your free time, research performance history (not just circus and sideshow history – and not just new stuff, either – really get into the meat of it), mythology, story structure, philosophy, and psychology.

Once you’re done with those – COME BACK to your sideshow work, and rebuild it all from the ground up (because now you’re going to realize it wasn’t as good as you thought it was).

While you’re rebuilding it, take some time to do some formal study of business, accounting, insurance, contract law, and other money-related matters. Study some investing. Take some sales courses so you learn how to sell. Study, then apprentice, in tour management, booking, working with agents…

NOW you’re closer to really being ready to move forward!!

If you’re not going to do all those things, then HIRE people you trust who KNOW how to do those things for you that you’re not clear on – listen to those people when they tell you what you should do.

All of this will help you to see how all of these things are interrelated – and that nothing and no one operates in a vacuum.

By doing this you will hopefully avoid most of the pitfalls, and keep from adopting many of the bad habits that end up ruining performer’s enjoyment of what, ruining them financially, and making their life a lot harder than it needs to be.

I do not doubt that some folks are going to say/feel that I’m an a**hole for pointing all this out. I am. Some other folks are going to worry I’m giving away the secrets of success. I’m doing that, too.

But it’s not free advice. You’ll pay… oh, yes… you’ll pay.

OH! And don’t forget to attend the annual The Southern Sideshow Hootenanny in New Orleans, LA!! It is THE place to be for the modern sideshow industry. We look forward to seeing you there!

The last thing you need to know is GTFM!

Why Doing Television Is Hard

Recently, members of your FreakShow Deluxe were able to get together because we were all in the same place, for a change.

FSD’s National Officers meeting in a restaurant… like the mob. Just sayin’

While we were there to do this television thing, Reverend Tommy Gunn shared some thoughts about why it seems every sideshow performer we know seems to hate working television.

The complaint heard most often is that television folks don’t “understand” what goes into a sideshow performance – either by skill, or in the structure to make the stunt work for the audience in performance. Another common complaint is that the setting up for the shots just takes too long, and that is too time-consuming to have the television crew do things the performers usually do on their own.

There are a few things to point out – but let us start with a story!

When FSD arrived at the location of the television studio, we had previously supplied the production team with the dimensions of the props we needed, including the plans for a knife throwing board. We also listed that we needed balloons. They had a few questions, and wanted to make some changes, but overall everything seemed on track.

When the FSD crew arrived, the board looked great – even with the changes they asked about making. However – a quick look at everything else made us realize our directions had not been specific enough!

The board was covered in neat rows of small balloons (about the size provided by stores for water balloons), covering the entire board from top to bottom. All the balloons were attached to the board with pieces of tape. When the first knife was thrown, it missed its (tiny) target, but managed to dislodge the balloon’s tape — but instead of falling to the ground, the ballon rose up into the rafters of the studio. The balloons had been filled with helium!

Usually, we use nine-inch latex balloons for our acts, blown up to nearly maximum size by our performers’ breath, then tacked to the board in precise locations ONLY where we need targets (no more than five at a time) with pins or staples.

Whose fault was this? ALL OURS!

See – we had not been specific enough. When writing out the directions for building and supplying what we needed were provided to the studio by us, we had a couple conversations with the production team about it — and they had also seen the videos we submitted of the acts — so we figured everything would be fine.

What we forgot was that the instructions that we sent were then filtered down through the ranks and eventually forwarded on to the production crew – including the shop and its builders who had been hired in and not part of the production team – all of whom had not seen the video, had not had the conversations with us to ask questions, and plus had our needs in a queue with all the other performers and acts that they were scheduled to take care of!

On previous events, we have had similar issues. One place provided plastic balloons rather than latex (they would not pop, no matter what we did). Another built the props out of hard wood, not soft wood – making them VERY heavy and unwieldy. One time when we said we needed a sledgehammer provided, they gave us a hand-held one – not the full-size tent-stake pounding kind we really needed.

There’s no way to get around the crew issues – television production is (thankfully) a Union gig. But that also means every person there needs to justify their existence (who doesn’t?) – so we often had to explain and re-explain the same things to a variety of people, each in charge of only one particular aspect of the entire performance.

But that is how it works! You have a very limited time to make things happen — and not everything can be fixed in post. We kept our FSD crew calm, personable, and in good humor as much as we could. Television is a lot of “hurry up and wait,” and we knew that going in – so we were prepared.

We felt a little sorry for the folks who had no idea what all was involved coming in. They usually were not very happy. But — *shrug* — live and learn!

Also – we have amended the information we provide to outside production teams to include the many, many specific things we need. We are hoping to avoid problems in the future as your FSD continues to move forward!

photo by Kino McFarland

This Business We Call Show (part 2)

Poutine… from Canada. At Wendy’s… in Canada.

FreakShow Deluxe does not “tour” in the sense of doing club dates like a rock band.

We do a lot of traveling, sure… lots of traveling to the venues, amusement parks, events, fairs and such where we usually perform. But we do not book tours in the sense of town after town for weeks at a time, with our income dependent on the clubs ticket sales.

Not that there is anything wrong with touring night clubs. We know plenty of folks who do! They always seem to be having a great time.

HA! HA!! No… No – they don’t.

It’s just one story after another of broken down vehicles, rip-offs, low audience turn-outs, canceled gigs, bad food, sleeping in the van… the list just goes on and on.

In the conversations amongst the community of which we are a part, it often comes up about why, if everything is so bad out there on the road… WHY do folks keep touring that way?? Usually, the answer is something along the lines of —

We do hundreds and hundreds of shows per year! You can’t beat that kind of experience.

Reverend Tommy Gunn, here. I was talking with Harley Newman, who is a legendary performer and I am happy to call him a mentor of mine, about the above quote as we were discussing various theoretical aspects of performing and touring – as we often do – and he brought up a good point: it doesn’t do anyone any good to do 900 shows a year if you’re done 900 bad shows! Lots of shows does not, itself, make you better.

Something about it came together for me when I heard the following quote from comedian Brian McKim in the movie I Am Road Comic. Sitting at a table with his wife, talking about being a traveling comic, he says:

There’s this thing people think: if you sleep in your car, and you drive a thousand miles and you do this and you do this… and the end of it they think, “Boy, I’m going to be a spectacular comic.” And it’s like… well… you’re going to be a better comic. I think you can be a spectacular comic and, like, not endure so much heartache.

And this is so true.

I was happy to get that it was so true not just for sideshow – but for comedy (and, in turn, I guess for music, burlesque, acting, yada yada).

Oh – how many of those “road warriors,” with their stories of rip-offs and break-downs and bad food, think that this is the only way to do it. And make no mistake, there are a lot of folks doing it “this way” (whatever way it may be),  because they only know “this way” to do things!

Perhaps, they probably read Jim Rose‘s Freak Like Me… but NOT read the infinitely superior Circus of the Scars by Jan T. Gregor, even though they both cover roughly the same time period – when the Jim Rose Circus Sideshow was at it’s peak. Days of sleeping in the van. Not seeing pay. Getting gear stolen. And hitting the high points (concerts, celebrity) Oh, yes!! But plenty of low points, too…

Traveling and performing this way is hard. It does NOT create the best situation for creating the best kind of shows. Especially when these shows are one-offs. When you’re traveling like that, you can be just overwhelmed with the constant turn over, driving, bad sleep, and worse food. It’s hard! Definitely a young person’s game.

It’s Krystal Kurio and Kasey Rose off to do another FreakShow Deluxe gig!

But what I see so often is everyone who is touring like a rock band trying to do is to reinvent the wheel! More often than not, I try to steer them towards the book Tour Smart: And Break the Band by Martin Atkins (who has an impressive resume of touring and performing). This book is filled with so many stories – including pages of malarkey from the Suicide Girls (no link to them, because there was SO much cluelessness going on), and some great stories from The Enigma, among others. Every bit of it is useful! Even for someone not touring like a band.

Honestly, at this point in my life/career it’s about working smarter, not harder.

Yeah – I could still cowboy it (and sometimes I still do just for fun): sleeping in the car, with the same clothes for days on end, not bathing, and eating at gas stations. But, usually I need to be able to sleep comfortably to be able to function. I need a hot shower (lots of cuts, bruises, and pain at the end of every show that needs to be cleaned up). I need time at the venue to make sure everything is on deck. I need clean clothes to keep from getting rashes (and infections with all those cuts). I need to eat well so I don’t have an upset stomach or issues so that I can do the best job possible.

See – if I have those things, in the long run I can actually do MORE shows. I am more professional, calmer, and get more done at each place. I can create better shows, and keep them running. With guarantees, contracts, and more I can better plan for money – that means less break-downs… plus all the FSD performers get paid.

Bad shows just leave a bad taste in the mouth of every promoter. With sideshow – unlike any other type of entertainment – it seems that one bad show will make a promoter/venue never allow it there again, saying

Sideshow just doesn’t work here.

If a rockabilly band comes in and bombs (for whatever reason), they usually don’t just bar all the rockabilly bands. They just pay a bit more attention with the next one they bring in.

A lot of this is on the sideshow troupes heading into these places though.

 

Though drink specials when we are at a club is REALLY the way to go!

 

What Happens At the Hospital

We have some interesting experiences out and performing and on the road. We also get to meet a lot of interesting people! That is probably the more fun part…

The audiences who “get” what we do the least seem to be medical professionals. The very idea that we willingly swallow swords, stick skewers through our skin, put gasoline in our mouths to eat and breathe fire is such a foreign thing for them to understand. They, more than anyone, are the first to say “that is impossible!”

So a few years ago – a cast member at one of our shows (note: this was NOT a regular company member of FreakShow Deluxe – this was a person who was hired in just for this gig to see how they did) got injured during a show trying a stunt that she had never done before. This is something we do not recommend for this reason:

While initially she appeared to be fine – as the evening went on, she was in more and more pain. Like, seriously, real pain. Initially, she tried to suck it up and tough it out – but it became obvious that something was really wrong and it had to be taken care of. SO —

Off to the hospital we went!

Seeing as how we were not in a huge city – the time in the waiting room went by very quickly. Once she was being seen (and an FSD person was on deck with her, of course, to look out for her), we explained to the staff how she received the injury she did: she had scratched the inside of her throat while sword swallowing.

Of course, they did not believe us. There was some arguing back and forth a bit while they disbelieved everything that we told them.

But, finally, the doctor arrived.

Once he did, he took a look before hearing the story of what happened. And when his staff said, “how is this possible?” And then the big reveal…

The doctor revealed to us that he knew all about sword swallowing!!

See – it appears that the doctor liked to do a little stunt during dinner parties: first, he would pick up the spoon and stick the handle in one nostril. Second, he would pick up the fork and stick the handle in the other nostril. THEN he would pick up the knife, tilt his head back, and swallow it all the way down his throat. Then, with a smile, he would remove all the items and continue with the party!

We let him know that if he ever wanted to give up on this “doctor” thing, we had a job for him.

Thanks to his candor, the staff took great care of our injured sword swallower. After a few days in the hospital, she was released back to the show (though we did not let her sword swallow for the rest of the run, per the doctor’s orders). She recovered – and we understand she still sword swallows on occasion.

And we are still waiting for a call from the doctor to come and work for us!

Do not try sword swallowing. It is dangerous.

 

This Business We Call Show (part 1)

photo by Lornography at Coney Island USA

So I, your Right Reverend Tommy Gunn, have been writing a book in addition to presenting at conferences and the like — but a lot of that has been on hold as your FreakShow Deluxe worked to reboot itself once again.

“What?! AGAIN!?,” I hear you crying out there upon reading that last sentence.

Yes.

Look – the last big restructuring really came back in 2004, after I moved your FSD from where it started in Ohio to Hollywood, where we opened The Empire Amusement Hall. That really was a while ago… I need to create “Examining 10 years of FreakShow Deluxe (part 6),” but in the meantime you can read this to catch up: Examining 10 years of FreakShow Deluxe (part 5)

The company has hit a time now where a fair amount of our family who has been with us has been doing this for going on 10 years (if not more). But their lives are NOT the same!! Things change – people change – life changes… and with those changes, some of our folks need to focus on other things besides your FSD, and we want them to have the opportunity to do so. Additionally, there have been some additions to our family – and it is time for them to move to the forefront.

So, with all the retirements going on (our company members switching to OG (aka Oh Gee!) Status, and some new patched members coming to the forefront, AND a restructuring of the company, along with creation of several new divisions within your FSD (namely, The Skeleton Crew, The Koffin Krewe, and The Voodoo Krewe). There is a lot of work to do. A lot of thinking – and then writing – then thinking again… plus a new executive staff to work things out with, too.

The Koffin Krewe Logo
is being created now

 

It is the process that is the hard part. The analogy I used to explain it to someone yesterday  was that I am effectively building a motorcycle. From the ground up. And, even though I have built motorcycles before – this one is to be an improvement on the last one I built.

This means the structure paperwork is, in this analogy, is the putting together of all the pieces. The framework, the wheels, the motor & pre-fabricated pieces, and then determining what the new pieces are that I need to manufacture myself. There’s a certain amount of time that I put things together – step away to look at it from a distance… maybe even walk away for a bit to think about what I am doing. Sometimes, I have to stop working on the new bike to bang out some parts or get some things going for jobs that are already on the books — things that have to be squared away before we reveal the new creation.

At this point, there is a sprocket I need that I have to create for a specific purpose. So I research a bit, but then I have to take raw material and then pound it into the configuration that I need to fit where it is supposed to and do the job it is meant for.

The process is time-consuming and difficult. Eventually, the planning portion has to stop and the bike moved into the next steps.

Now – here is where my competitive spirit comes in: at the same time I am working on this new bike, there are other bikes out there on the road. Some are pretty cool, some are pretty fast – some are copies of other bikes I built, and some are totally original – but other people are out there with their bikes… and I wish mine was out there, too. Especially because I know that my bike is going to be much better. Perhaps it will even be considered game-changing!

So, yes, I am a bit jealous of the bikes that are out on the road right now. Then I have to remind myself that the new bike will be game-changing, and even when it is, some people have different tastes, and maybe even like one of those other bikes over mine (even though, obviously, mine is superior). And then I get back to business.

Because it does not end with designing the bike, creating new parts, and initially putting it together. Oh no…

Once most of the designing and fabricating is done – then the whole thing has to be disassembled and sent off for paint, chrome, and/or powder coating… Which means it goes into someone else’s hands to do some of the work on it. The big question – will everything happen like it is supposed to during this stage? If something goes wrong – am I prepared for that and how to fix it?

Then, when all of the pieces have come back, the whole bike has to be reassembled (looking for all kinds of problems along the way), and this time extra things are added like the wiring. Does everything go back together like it is supposed to? Did I forget anything, or mis-measure anything? Do the layers of finishing (paint, chrome, sealer, etc.) add anything that now means things do not fit together like they are supposed to?

And, FINALLY, with it all together we get to fire it up and see what happens. Did it fire? How does it do on the test drive? There is going to be a break-in period on the motor. Some bolts are going to need to be tightened (maybe sprayed with some Lock-tite, if it seems they are going to be a problem), parts adjusted, lubed, sparked… you get the idea.

Now that it is broken in, NOW we get to ride it! Try and see how fast it will go. How tight it can take a corner. How cool does it really look and sound when it is moving… and when it is standing still.

Of course – now that it is done, I can see a few things I might like to change about it. That color is not really what I was thinking of – that chain is not exactly where I would like it to be – maybe I do not like that style taillight after all.

Soon, it is time to build the next bike…

Many thanks to Pat at Led Sled Customs for the insight into what it takes to build a bike. Led Sled has been a friend and sponsor of FSD since our companies started at the same time in 2001. Check out their amazing products at: http://www.ledsledcustoms.com
Also, do not try to build your own bike (or sideshow) from my analogy here… it won’t work.

FreakShow Deluxe – DO NOT Try This At Home

The Past Couple Years In Review

There have been QUITE a few things going on with your FreakShow Deluxe! So much so, in fact, that it has been VERY hard to keep up on this blog — but it is a new year, so new goals (like doing this blog)…

The last real posting about what we have been up to was back in January 2013, it appears… Shortly before the death of our good friend, and the filmmaker who shot the first FSD documentary, Andrew Copp, we posted about some great things that had been going on… Now it is time to talk about what has happened since then.

The biggest thing is that FreakShow Deluxe has continued to just POWER through shows in ALL kinds of places!!

     
One of the biggest things we did was unveil the new skills of Grennan the Green Monster and Charlotte, La Pequeña Arañita, on the unsuspecting pubic. Grennan is still the World’s Youngest Professional Knife Thrower; and his target girl, Charlotte, is still The Bravest Little Girl In the World – being his target girl. They appeared on America’s Got Talent – where Howard Stern said it was genuinely something he had never seen before – and then they appeared on SuperKids in Germany. These appearances got them featured in magazines and newspapers all over the world.

Additionally, wee produced a couple monthly variety shows: Cap’n Jonny’s Whiz Bang and Ilumen-Naughty in Dayton, Ohio – which brought in some GREAT talent from all over – AND continued to produce one-offs in Los Angeles! We were also a big part of regular shows, like Tales From the Strypt and Circus Maximus in Southern California, a series of shows in Japan, and plenty more.

FreakShow Deluxe was featured as a major part of Kirk Von Hammett’s Fear FestEVIL! We drew a lot of attention to it and opened a lot of people’s eyes as to what was possible. Additionally, Reverend Tommy Gunn presented a paper about sideshow (and did a little show) at the Popular Culture Association’s conference at the Marriott in New Orleans. FSD was part of the New Orleans Fringe Festival and this year’s expanded Razor’s Edge Festival in New Orleans, too.

Being at The Gathering of the Juggalos got a great picture featured on Rolling Stone’s website (see more FSD pics from the Gathering here: http://www.drivenbyboredom.com/2015/07/29/freakshow-deluxe-gotj/ )

Plus there were all our great shows at these awesome places listed here
(* indicates we returned at least once, if not more):

• The Harem – Dayton, OH*
• Gilly’s – Dayton, OH*
• The Ostrich Festival – Chandler, AZ*
• The Brimstone Breakout – Long Beach, CA
• Maritime Tattoo Festival – Halifax, NS, Canada*
• Tommy’s Tattoo Convention – Hartford, CT
• Coney Island’s Sideshow by the Seashore – Brooklyn, NY*
• Texas Showdown Festival – El Paso, TX*
• Full Throttle Saloon – Sturgis, SD*
• Riverfront Fair – Owensboro, KY
• Star Lounge – Shibuya Tokyo, Japan*
• Throttle Fest – Kansas City, MO
• Delta Fair & Music Festival – Memphis, TN*
• The Joint – Little Rock, AR*
• State Fair of Virginia – Doswell, VA
• Civil War Days – Hartford, CT
• Georgia State Fair – Atlanta, GA*
• Frontier City – Oklahoma City, OK*
• The AllWays Lounge – New Orleans, LA*
• DiPiazza’s – Long Beach, CA
• Etti – Shizuaka-shi, Shizuoka, Japan
• California Institute of Abnormal Arts – North Hollywood, CA*
• Fresno Tattoo Expo – Fresno, CA*
• High Desert Tattoo Expo – Lancaster, CA
• PT’s Showclub – Portland, ME
• Elitch Gardens – Denver, CO
• Scandals Bar – Virginia Beach, VA
• Cafe Istanbul – New Orleans, LA
• Full Circle Bar – Fresno, CA
• Siberia – New Orleans
• Little Darlings – Oklahoma City, OK*
• RockBar Theater – San Jose, CA
• Therapy Cafe – Dayton, OH*
• Pioneer Event Center – Lancaster, CA
• The Banana Ball at The Docs Inn – Silvis, IL
• Gathering of the Juggalos – Thornville, OH
• The Penthouse Club – St. Louis, MO
• Byrdie’s Cafe – New Orleans, LA
• The Pony – Starkville, MS

Looking at this list makes us all kind of tired, seeing how much we have done in the past three years. We went through most of our calendars to come up with it. Plus all the press, clippings, videos and more. SO MUCH STUFF!

But for 2016? THERE IS SO MUCH COMING ON DECK!!! It will have to be a whole other post…

Good-bye to a Good Friend of FSD

Today is a very sad day for not just your FreakShow Deluxe, but for a lot of people.

Our dear friend, Andy Copp, an amazing visionary filmmaker and artist, is gone. He was the one who shot the first FreakShow Deluxe documentary. He also made a couple films that featured members of FreakShow Deluxe in the cast.

Andy was a great guy, too. He and FSD’s founder, Rev. Tommy Gunn, were good friends and shared a friendship with Dr. Creep (without whom there would be no FSD). The two of them were working on a new promo video and a re-issue of the original documentary as well as additional footage of how much the company has changed.

Adios, Andy. Vaya Con Dios. We will always miss you.